Marlowe’s Mighty Line

<p>Episode 98:</p><p>Marlowe as a playwright at the beginning of the greatest period of Elizabethan creativity.</p><p>A short recap on Marlowe’s university life.</p><p>Marlowe moves to London.</p><p>The anonymity and earning power of Elizabethan playwrights.</p><p>‘Dido, Queen of Carthage’.</p><p>Thomas Nashe as co-author of ‘Dido, Queen of Carthage’.</p><p>Marlowe’s sexual preferences.</p><p>The Elizabethan attitude to sexuality.</p><p>Marlowe and religion.</p><p>The School of Atheism.</p><p>Marlowe’s use of rhetoric.</p><p>Marlowe, blank verse, and iambic pentameter.</p><p>Marlowe’s poetry.</p><p>Marlowe’s Mighty Line.</p><p>Support the podcast at:</p><p>www.thehistoryofeuropeantheatre.com</p><p>www.ko-fi.com/thoetp</p><p>www.patreon.com/thoetp</p><br/><br/>This podcast uses the following third-party services for analysis: <br/><br/>Chartable - https://chartable.com/privacy