
When Inner Dialogue Isn't "Telling" and When It Is in Memoir and Fiction
its.verdex
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<p>Hey writers—I’m in a funny phase of novel drafting right now where I’m really only doing the prewriting—which is an odd style of drafting wherein, for me, I basically write only dialogue and statements of movement and the very most important bits of inner dialogue. (As in, no one is opening car doors or setting down their coffee cups, and there are also no quotation marks, and they could be anywhere as far as setting is concerned.)</p><p>Writing this way keeps my eyes on the prize—basically it’s what do I need to know to really write this scene, which kind of tricks me into what does the reader really need to know. I’ll add some of the set dressing later, but I find that when I write this way, the end result is tighter and cleaner.</p><p>Here’s an example I found that ultimately became Chapter 3 of Playing the Witch Card. It’s actually pretty accurate:</p><p><em>Flair is desperately shutting door on what she’s done, locking up wildly as if she could lock it inside, back door, Josie never comes to front, running from a ghost, you know better than to make a joke like that in Rattleboro Well did you No Just of herself How was day Sucked Customers 2 if you count Loretta What did she want? She comes in all the time actuall and when she does it’s usually a little better, I think it’s all that Halloween horror That’s what people are here for but then my customers all prefer the alley it’s part of the mystique Yep those rebel tattoos that x percent of the population has But not you When I think of something I want tattooed on me you’ll be the first to know Sometimes that’s my job, do you want to know what tattoo you should have I do not. Stop it. Change subject Loretta wanted me to make Halloween cookies And I suppose you said no. you should. If anything would change your luck I kow you hate it. But I don’t see how you’re going to be here and not be part of it. Met by lucie on the doorstep. I’m going back to Chicago. What happened today Stupid Halloween, stupid party Parties are nothing but halloween’s a big deal ar
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When Inner Dialogue Isn't "Telling" and When It Is in Memoir and Fiction
its.verdex