What Hollywood Keeps Getting Wrong About Race

<p>Three decades ago, the highest honor at the Academy Awards was given to a movie about a white passenger learning to love her black chauffeur. Sunday night, the same award was given to a film about a white chauffeur learning to love his black passenger. We look at Hollywood’s obsession with fantasies of racial reconciliation. Guest: Wesley Morris, a critic at large for The New York Times and a host of the podcast “Still Processing.” For more information on today’s episode, visit <a href="https://www.nytimes.com/thedaily" target="_blank">nytimes.com/thedaily</a>.</p>