
The Solace Project #19
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Dear Friends,<br/><br/>Today, back to Philadelphia, instead of moving on, moving in. Back to the portrait of <a href="https://www.philamuseum.org/collection/object/306033">Anne Willing Bingham</a> because my good friend <a href="https://www.instagram.com/elle.shushan/?hl=en">Elle Shushan</a> pointed out a few things in response to last week’s post.  First, I had no idea that Anne Bingham was the model for the draped bust image on the silver dollar. Second, she turned her Philadelphia drawing room into a salon for conversation and debate, attracting the likes of Alexander Hamilton, James Madison, John Jay, and George Washington.  Third, and right under my nose: the portrait miniature of William Bingham. <br/><br/>A brief recap from last week, for those of you catching up. We looked at <a href="https://www.philamuseum.org/collection/object/306033">Anne Willing Bingham</a> and <a href="https://www.philamuseum.org/collection/object/39031">Juana Ines de la Cruz,</a> lives that were different and alike, both in portraits hanging in the beautifully and newly renovated galleries of the Philadelphia Museum of Art? Looking at Gilbert Stuart’s portrait of Anne Willing Bingham, known as Nancy, we  considered her direct gaze, sharp features, dark eyebrows and long nose, her piled up hair and her stylish black velvet dress, her tiny precious jewelry, and a huge locket dangling across her exposed cleavage? We only see the back of the locket, the edge studded with diamonds, the center decoration hard to make out.  <br/><br/>We then considered how Nancy Bingham strategically applied her charms and beauty to issues of the day, effectively a feminist before her time.  She called what she was doing “the gentle Arts of persuasion” using her “superior Attractions and Address” to call attention to topics of importance in the immediate post-Revolutionary period in Philadelphia. Those phrases were written by her to Thomas Jefferson, then a statesman in Paris, and I hi