The Chorus: Theroux The Looking Glass, Or Understanding The Horror, The Horror

<p>Whiskies in hand, we go armchair travelling through Paul Theroux's Mexico (and politics), Bill Bryson's England (and humour), and wherever the animals are (and David Attenborough). We consider the combination of social distancing and singing at Joburg Theatre and whether any film has actually <em>ever</em> been scary, or even Sinister. We come out in favour of Favreau (Jon is the money, baby) and his commitment to craft and cooking. And we ask whether The Boss actually needs to be any good to still be admired and try and understand what a direction sounds like. Join us.</p>