
Partners in Conflict
manu_ms
Description
<p>In this roundtable discussion, we focus on questions around how to collaborate when there may be conflicts between partners, whether it’s conflicting schedules, motivations, or values, and what to consider when those conflicts come up. This discussion includes what to consider when partnering with law enforcement, how to sort through conflicting community meeting needs, and the challenges of finding common ground when everything seems polarized.<br /><br />Featuring Sheri Brady, Paul Schmitz, Tracy Timmons-Gray, and Junious Williams.<br /><br /><strong>Resources and Footnotes</strong><br /><br />Video and Transcript: <a href="https://www.collectiveimpactforum.org/blogs/1/video-and-transcript-complementary-or-conflict-community-organizing-and-collective-impact">Complementary or in Conflict? Community Organizing and Collective Impact</a><br /><br />Podcast: <a href="https://www.collectiveimpactforum.org/resources/marshall-ganz-community-organizing-and-collective-impact">Marshall Ganz - Community Organizing and Collective Impact</a><br /><br />Book: <a href="https://simonandschusterpublishing.com/why-were-polarized/">Why We’re Polarized</a> by Ezra Klein<br /><br />More on Collective Impact approach to collaborate for social change:<br /><br />Infographic: <a href="https://www.collectiveimpactforum.org/what-collective-impact">What is Collective Impact?</a><br /><br />Resource List: <a href="https://www.collectiveimpactforum.org/getting-starte">Getting Started in Collective Impact</a><br /><br />The Intro music, entitled “Running,” was composed by Rafael Krux, and can be found <a href="https://filmmusic.io/song/5434-running/">here</a> and is licensed under <a href="http://creativecommons.org/licenses/by/4.0/">CC: By 4.0.</a><br /><br />The outro music, entitled “Deliberate Thought,” was composed by <a href="https://incompetech.com/">Kevin Macleod</a>. Licensed under <a href="http://creativecommons.org/licenses/by/3.0/">CC: By.</a><br /><br />Have a question related to collaborative work that you'd like to have dis