NINE II MIDNIGHT - Terrors of the Real World

<p><em>It seems like the terrors of the real world are most appealing to you and for good reason...&nbsp;</em></p><br><p>On the Eve of Halloween, a dozen storytellers sneak inside the abandoned Darklight Carnival grounds to share a chilling batch of stories in two varieties. This year they split up to uncover the fears that lurk within and horrors that walk among us.</p><br><p>One group will head to the Ferris Wheel to tell tales of real-world terror. The other will venture into the Funhouse to spin yarns of the frightening spirit world. Which path will you embark on first?</p><br><p>Nine II Midnight is a collaborative storytelling event between 12 podcasts:</p><br><p>Hell Gate City</p><p>Malevolent</p><p>Nowhere, On Air</p><p>Out of the Ashes</p><p>Parkdale Haunt</p><p>The Cellar Letters</p><p>The Dead Letter Office of Somewhere, Ohio</p><p>The Night Post</p><p>The Storage Papers</p><p>The Town Whispers</p><p>Wake of Corrosion</p><p>WOE.BEGONE</p><br><p><br></p><p>CREDITS &amp; CONTENT WARNINGS</p><p>CW: General horror, swearing throughout</p><p>Produced by Harlan Guthrie</p><p>Master edit by Harlan Guthrie</p><p>'Nine II Midnight' written by Harlan Guthrie.</p><br><p>Performed by Harlan Guthrie, Dylan Griggs, Kevin Berrey, Shaun Pellington, Rae Lundberg, Vincent C. Davis, Jess Syratt, Alex Nursall, Rat Grimes, Jeremy Enfinger, Nathan Lunsford, Cole Weavers, and Jamie Petronis.</p><br><p>Pick a path on October 30th at midnight, and keep your wits about you.</p><br><p>9️⃣🔪🔪🕛</p><br><p>TRANSCRIPTS ARE AVAILABLE <a href="https://drive.google.com/drive/folders/1d_1Yy4-ljX6G_nutUxHmlhj8k7PhOQPL?usp=share_link" rel="noopener noreferrer" target="_blank">HERE</a></p><br><p><strong>CREDITS:</strong>&nbsp;</p><br><p><strong>MALEVOLENT</strong></p><p>“Scratching” was written, directed, performed, and edited by Harlan Guthrie.&nbsp;</p><p>CW: insects, gore</p><p>Malevolent</p><p>Website: www.malevolent.ca</p><p><strong>_________________________</strong></p><p><strong>THE CELLAR LETTERS</strong></p><p>“Get Up” was written, e