L.A. Studio Legends #9: Dan Higgins
L.A. Studio Legends #9: Dan Higgins

L.A. Studio Legends #9: Dan Higgins

Priya limbu

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Legendary saxophonist and woodwind specialist talks his career as studio musician in Los Angeles, from his early days as session player to his collaborations with Maestro John Williams, including the stunning alto saxophone solos he performed on the score for Steven Spielberg’s 2002 film Catch Me If You Can <p>Saxophonist and woodwind specialist Dan Higgins is unquestionably one of the most talented session musicians on the planet and also highly respected among his peers. His stunning skills both as saxophonist and woodwind player on several instruments (including clarinet and flute) have been appreciated by a wide variety of composers and musicians with whom Higgins collaborated throughout his amazing career. He has performed in the woodwind section on several John Williams' film scores since the mid-1990s, but he's first and foremost remembered for the stunning alto saxophone solos he recorded on the brilliant score Maestro Williams composed in 2002 for the film Catch Me If You Can, directed by Steven Spielberg and starring Leonardo Di Caprio and Tom Hanks.</p> <p>Born in Boston, MA, in 1955, Dan Higgins first distinguished himself as an outstanding saxophonist while attending University of North Texas. After moving to Los Angeles, Dan started to work as a freelance studio musician, mostly on record dates, but also on many recordings for television shows, including playing on live shows and specials, following the footsteps of other great saxophone players like Gene Cipriano, Ronnie Lang and Plas Johnson.</p> <p>His career as studio musician for the film and television industry is impressive: he has worked on 700+ motion picture scores and is a featured saxophone soloist on many great films with such notable composers as John Williams, Alan Silvestri, Marc Shaiman, Randy Newman, David Newman and Alexandre Desplat among others.</p> <p>Dan Higgins has worked extensively with John Williams for more than 25 years. His first collaboration was playing alto saxophone on a few “period music” source pieces that Will

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