Katherine Pangonis, "Queens of Jerusalem: The Women Who Dared to Rule" (Hachette, 2021)

Any study of the Crusades — the religious wars waged by Latin Catholics to recapture the Holy Land — is primarily an exploration of men and their military deeds, with scant consideration of women, save perhaps the redoubtable Eleanor of Aquitaine who accompanied her husband, King Louis VII of France, on the Second Crusade. But the history of the Christian Crusader states established after the success of the First Crusade is a different matter. From 1099 to 1187, the four polities, known collectively as “Outremer” or “the lands beyond the sea” — the Kingdom of Jerusalem, the Principality of Antioch, and the Counties of Tripoli and Edessa — were more often ruled by queens, princesses, and countesses in their own right. The captivating story of these women is the subject of Queens of Jerusalem: The Women Who Dared to Rule (Hachette, 2021) by Katherine Pangonis. In taking up the story of Queen Melisende of Jerusalem, her rebel sister, Princess Alice of Antioch, and their descendants, Pangonis set herself the challenging task of peeling back the layers of recorded history — primarily chronicles written by men — to create a realistic portrait of these vital, ambitious, and dynamic women, a task that requires the historian to wear many hats: archivist, detective, archeologist, and psychologist. Pangonis is well up to the task; she is an outstanding narrative historian, and in addition to scrutinizing all extant sources on Outremer, Pangonis also took the time to walk in the footsteps of her protagonists, and this allows readers of “Queens of Jerusalem” to experience medieval Outremer in vibrant detail. The queens, princesses, and countesses of Outremer were keen builders of edifices, which still form parts of the skylines of of the region: the Crusader castles, the Convent of Bethany, and the all-important Church of the Holy Sepulchre. In “Queens of Jerusalem” this topography leaps off the page in very satisfying detail. Pangonis’s writing is elegant and evocative, always informative but never pedantic. Her ability to m