Jonathan Greenaway on the Gothic State of Necrotic Capitalism
Jonathan Greenaway on the Gothic State of Necrotic Capitalism

Jonathan Greenaway on the Gothic State of Necrotic Capitalism

Mohssin

73 min
Arts & Philosophy
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<p>In this episode with Jonathan Greenaway (<em><strong>Theology, Horror and Fiction: A Reading of the Gothic Nineteenth Century &amp; The Horror Vanguard </strong></em><strong>podcast</strong><em><strong>)</strong></em><em> </em>we arrive at the New Flesh while peeling back the layers of a nightmarish society in stasis.&nbsp;</p> <p>We get into: necro-neoliberalism, depressive hedonia, unspent energy mutating into a gothic maw, our struggle to be and remain human, nostalgia neutralizing hope/fear instead of bringing us closer to history, the internet as a profoundly haunted and haunting device, Paul tells a dumb story about seeing Beyond the Black Rainbow on acid and the glorious weirdness of "Titane"</p> <p>Jon Greenaway is an academic, writer and teacher based in the North of England. He’s currently working on a PhD that focuses on philosophy, theology and the gothic literature of the nineteenth century. He’s also behind @TheLitCritGuy, a social media project that aims to bring critical and cultural theory away from it’s academic enclave and to the widest possible audience. He writes for a variety of publications online and blogs at thelitcritguy.com. He tweets <a href="https://twitter.com/TheLitCritGuy" target="_blank">@thelitcritguy.</a> Find Jon on Youtube at <a href="https://www.youtube.com/c/JonTheLitCritGuy/featured" target="_blank">Jon the Lit Crit Guy</a></p> <p><u><strong>Theology, Horror and Fiction: A Reading of the Gothic Nineteenth Century</strong></u></p> <p>Surpassing scholarly discourse surrounding the emergent secularism of the 19th century, <em>Theology, Horror and Fiction</em> argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – <em>Frankenstein</em>, <em>Wuthering Heights</em>, <em>Dracula</em> and <em>The Picture of Dorian Gray</em>, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology.<br> <br> Despite the diffe

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