John Freeman and Friends

City Lights LIVE and Litquake celebrate the final issue of John Freeman’s distinguished journal “Freeman’s: Conclusions,” published by Grove Atlantic, with John Freeman, joined by Jaime Cortez, Elaine Castillo, and Oscar Villaon. Over the course of ten years, “Freeman’s" has introduced the English-speaking world to countless writers of international import and acclaim, from Olga Tokarczuk to Valeria Luiselli, while also spotlighting brilliant writers working in English, from Tommy Orange to Tess Gunty. Now, in its last issue, this unique literary project ponders all the ways of reaching a fitting conclusion. For Sayaka Murata, keeping up with the comings and goings of fashion and its changing emotional landscapes can mean being left behind, and in her poem “Amenorrhea,” Julia Alvarez experiences the end of the line as menopause takes hold. Yet sometimes an end is merely a beginning, as Barry Lopez meditates while walking through the snowy Oregonian landscapes. While Chinelo Okparanta’s story “Fatu” confronts the end of a relationship under the specter of new life, other writers look towards aging as an opportunity for rebirth, such as Honorée Fanonne Jeffers, who takes on the role of being her own elder, comforting herself in the ways that her grandmother used to. Finally, in his comic story “Everyone at Dinner Has a Max von Sydow Story,” Dave Eggers suggests that sometimes stories don’t have neat or clean endings—that sometimes the middle is enough. John Freeman is the founder of the literary annual “Freeman’s” and the author and editor of ten books, including “Dictionary of the Undoing,” “The Park,” “Tales of Two Planets,” “The Penguin Book of the Modern American Short Story,” and, with Tracy K. Smith, “There’s a Revolution Outside,” “My Love”. His work has appeared in The New Yorker, The Paris Review, and Orion, and been translated into over twenty languages. The former editor of Granta, he lives in New York City, where he teaches writing at NYU and is an executive editor at Alfred A. Knopf. Jaime Cortez i