Intentionality and Environmental Impacts (EP.48)
Intentionality and Environmental Impacts (EP.48)

Intentionality and Environmental Impacts (EP.48)

kimgsman

46 min0 plays0 favorites
Business & Finance
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This conversation was recorded as part of Work Shouldn't Suck's https://www.workshouldntsuck.co/ethical-reopening-summit-2021 (Ethical Re-Opening Summit) that took place on April 27, 2021. This past year saw the environmental impacts of the workplace shift dramatically. For many, travel for work was completely erased, both commuting and related business travel. Conferences that traditionally attracted hundreds or thousands of in-person attendees shifted to online offerings. As we consider how to reopen our workplaces, how can we do that in intentional ways that center our impact on planet and people? Resources mentioned during session:Howlround’s https://howlround.com/tags/climate-change (Climate Change resources) https://artscarbon.com/ (Carbon emissions calculator for streaming media) “https://howlround.com/streaming-just-transition (A Producer’s Guide to Measuring, Budgeting, and Lowering the Carbon Emissions of Livestreams and Video Conferences)” by Vijay Mathew https://www.jasonhickel.org/less-is-more (Less is More: How Degrowth Will Save The World) by Jason Hickel KRISTA BRADLEY is Director of Programs and Resources at the Association of Performing Arts Professionals (APAP), the national service organization for the performing arts presenting industry. At APAP she’s responsible for the professional development programming for the annual conference as well as year-round programs, leadership development initiatives, regranting programs and resources that advance the skills, knowledge and capabilities of APAP's membership. Prior to APAP, she was Executive and Artistic Director of BlackRock Center for the Arts, a nonprofit multidisciplinary arts center in Maryland, and Program Officer of Performing Arts for Mid Atlantic Arts Foundation. She brings more than twenty years of experience working in the nonprofit, performing arts, and philanthropy sectors as a curator, funder, arts administrator and consultant for organizations such as the Bill T. Jones/Arnie Zane Dance Company, the Walker Arts Center, Houston

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danny.street

danny.street

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