Episode 52: Gary Glassman - Smooth Walk to Providence
Episode 52: Gary Glassman - Smooth Walk to Providence

Episode 52: Gary Glassman - Smooth Walk to Providence

Mauriiciia Lepfoundz

42 min
Arts & Philosophy
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Description

Who would have thought that running away with the circus could lead to a career as a successful filmmaker. Gary Glassman's path to filmmaking also, includes, street theater, teaching, prison work, and media technology. The through-line for Gary's creative adventure has been asking questions and, what else, telling stories.  BioGary Glassman believes television can change the world. He comes to television through street and circus performing – clowning, fire-eating, tight rope and stilt walking. His earliest media work is participatory projects with prisoners and the criminally insane, hospitalized children, and developmentally challenged adults. Prisoners, his first documentary, is in the permanent collections of the Museum of Modern Art, the National Gallery, and the Pompidou Center in Paris. He started Providence Pictures in 1996 and as executive producer/director makes films for the world’s leading broadcasters including PBS, Discovery, History, National Geographic, BBC, and Arte. His films consistently achieve the highest ratings and have won and been honored with nominations for the industry’s most prestigious awards including seven Emmys, two Writers Guild Award, the AAA Science Journalism Prize, the CINE Golden Eagle, and the International Archaeology Film Festival Award. Glassman received a BA from Goddard College, and an MFA in Directing from UCLA. Notable Mentionshttps://en.wikipedia.org/wiki/Spalding_Gray (Spalding Gray )(June 5, 1941 – January 11, 2004) was an American actor and writer. He is best known for the autobiographical https://en.wikipedia.org/wiki/One-person_show (monologues) that he wrote and performed for the theater in the 1980s and 1990s, as well as for his film adaptations of these works, beginning in 1987. He wrote and starred in several, working with different directors. Theater critics https://en.wikipedia.org/wiki/John_A._Willis (John Willis) and Ben Hodges called Gray's monologues "trenchant, personal narratives delivered on sparse, unadorned sets wi

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