Episode 412 - Jonathan Egstad

<p><span style="font-weight: 400;">Jonathan Egstad knows Nuke like few others. He started working with the compositing software at Digital Domain, where he developed a 3D subsystem and bagged an Academy Award, before moving to the pioneering animation studio Image Movers. Subsequently, he joined Dreamworks Animation (formerly PDI) to help integrate Nuke into its compositing pipeline.</span></p> <p><span style="font-weight: 400;">In this podcast, Jonathan demonstrates the rare combination of artistic and technical talents that have made him one of the most respected names in the CG industry. He discusses his first jobs at DD on</span> <em><span style="font-weight: 400;">Apollo 13</span></em><span style="font-weight: 400;">, how the company upgraded Nuke to handle</span> <em><span style= "font-weight: 400;">Titanic’s</span></em> <span style= "font-weight: 400;">epic shots, and he reminisces with Chris about faking ray tracing for</span> <em><span style= "font-weight: 400;">I, Robot</span></em><span style= "font-weight: 400;">. He wraps up with details on his new role at Foundry and what’s in store for Nuke.</span></p>