Episode 388 - Isaac Irvin - VFX Supervisor, Carbon VFX

<p><span style="font-weight: 400;">Isaac Irvin’s incredible VFX industry adventures have taken him across countries and over oceans. From enthusiastic beginnings at Texan TV stations, he moved to Scotland to work on TV series and game cinematics, before returning to the States to flit between studios including Digital Domain, Method, Marauder, and Psyop on projects such as</span> <em><span style="font-weight: 400;">Speed Racer</span></em><span style="font-weight: 400;">,</span> <em><span style="font-weight: 400;">Iron Man 3</span></em><span style="font-weight: 400;">,</span> <em><span style="font-weight: 400;">Robocop</span></em><span style= "font-weight: 400;">, and more.</span></p> <p><span style="font-weight: 400;">Today, Isaac has taken his big-screen VFX experience to the fast-paced, tech-heavy world of commercials. He talks about evolving from the limitations of software in the early days of VFX, to</span> <em><span style= "font-weight: 400;">Real Steel</span></em><span style= "font-weight: 400;">’s perfect pipeline, up to the seemingly limitless possibilities of real-time rendering. He also talks about a nerve-wracking meeting at DD, and how he joined a particular VFX house at exactly the wrong time. Isaac is open and funny, and it’s clear that he’s lost none of his initial enthusiasm for all things VFX.</span></p>