Episode 172: A Beautiful Day To Sleep On Verotika

<div style="margin: 0in; margin-bottom: .0001pt;"><span style= "font-family: 'Arial',sans-serif;">The first of our post-lockdown shows brings some suggestions for your indoor binging. Erik debates Sergio Mims on the awards-season trend that Sam Mendes’ 1917 became the latest victim of. They also talk about a sequel ten years too late and extract the best parts out of the Mr. Rogers film. Sergio talks about how Richard Jewell got him kicked off Twitter and Erik talks about one horror film that really caught him off guard and another that does not deserve the honor of being placed amongst the bad film legends.</span></div> <div style="margin: 0in; margin-bottom: .0001pt;"><span style= "font-family: 'Arial',sans-serif;"> </span></div> <div><span style= "font-size: 9.0pt; font-family: 'Arial',sans-serif;">Indicator (Night Tide)</span></div> <div><span style= "font-size: 9.0pt; font-family: 'Arial',sans-serif;">Universal (1917)</span></div> <div><span style= "font-size: 9.0pt; font-family: 'Arial',sans-serif;">Sony (Zombieland: Double Tap, Pain & Glory, A Beautiful Day in the Neighborhood)</span></div> <div><span style= "font-size: 9.0pt; font-family: 'Arial',sans-serif;">Arrow (The Black Angel, Kansas City)</span></div> <div><span style= "font-size: 9.0pt; font-family: 'Arial',sans-serif;">Warner Bros. (The Stalking Moon, Doctor Sleep, Motherless Brooklyn, Richard Jewell)</span></div> <div><span style= "font-size: 9.0pt; font-family: 'Arial',sans-serif;">Cleopatra (Verotika)</span></div>