Ep 5: The Webcomic as Political Form - Part 2
Ep 5: The Webcomic as Political Form - Part 2

Ep 5: The Webcomic as Political Form - Part 2

ApurvaKhobragade

58 min
Arts & Philosophy
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<p>This episode is the second in a two-part series on &nbsp;political webcomics in India. In the context of an increasingly &nbsp;repressive regime, the role of allegory, especially in the mode of &nbsp;fantasy and parody, becomes vital. On the Indian Internet, an example is &nbsp;the&nbsp;figure &nbsp;of&nbsp; Rashtraman, a dubious superhero starring in his own webcomic series. I speak to its creator Appupen, a visual artist and musician who &nbsp;tells stories from&nbsp;the mythical dimension called Halahala. Having published several books of graphic fiction, he&nbsp;launched &nbsp;his online comic series with the popular superhero satire&nbsp; 'Rashtraman' and the politically charged ‘Dystopian Times’ in&nbsp; 2015. He is the &nbsp;founder/editor of Brainded India, an arts collective with an agenda. We &nbsp;discuss how visual satire can show us the workings of power, the history &nbsp;of cartooning as political critique in post-Independence India and why &nbsp;the MCU is a technocratic dream.</p> <p>Click here to access the&nbsp;<strong>Image Guide+</strong>&nbsp;&amp; view the images and material being discussed in the podcast:&nbsp;<a href="https://sites.google.com/view/artalaap-podcast-resources/episode-4" target="_blank">https://sites.google.com/view/artalaap-podcast-resources/episode-</a>5</p> <p><strong>Credits:</strong><br> <br> Producer: Tunak Teas<br> <br> Design &amp; artwork: Mohini Mukherjee</p> <p>Audio courtesy: Vernouillet by Blue Dot Sessions [CC BY-NC 4.0]</p> <p>Images: Instagram&nbsp;@appupen</p> <p>Additional support: Kanishka Sharma, Amy Goldstone-Sharma, Raghav Sagar, Shalmoli Halder, Arunima Nair</p> <p>Dedicated to Dai, whose booming voice will always be remembered.</p> <p><strong>References</strong>:</p> <p>Prabhat Patnaik, 'Neoliberalism and Fascism', <em>Agrarian South: Journal of Political Economy</em>, 27 Feb. 2020. <a href="https://doi.org/10.1177%2F2277976019901029" target="_blank">https://doi.org/10.1177%2F2277976019901029</a></p>

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