Assessing Arts Journalism, Dance Companies’ COVID Scars, and the Case for “DWTS”

<p>A transcript of this episode is available here: https://thedanceedit.com/transcript-episode-88</p><p>Subscribe to The Dance Edit Extra: https://podcasts.apple.com/us/podcast/the-dance-edit-extra/id1579075769</p><p><strong>Links referenced in/relevant to episode 88:<br></strong>-Pointe interview with Misty Copeland about "Black Ballerinas": https://pointemagazine.com/misty-copeland-black-ballerinas/<br>-Marina Harss' essay on dance journalism for Dance Magazine: https://www.dancemagazine.com/dance-journalism-2655472507.html<br>-Elizabeth Zimmer's essay on the same topic for The Village Voice: https://www.villagevoice.com/2021/10/29/mourning-my-profession/<br>-Washington Post story on how the pandemic has forced a reevaluation of the dance company model: https://www.washingtonpost.com/entertainment/theater_dance/dance-companies-folded-pandemic/2021/10/28/d1466e98-36a8-11ec-9bc4-86107e7b0ab1_story.html<br>-Kevin Fallon's Daily Beast essay on "Dancing with the Stars": https://www.thedailybeast.com/did-jojo-siwas-it-performance-on-dancing-with-the-stars-prove-the-show-is-actually-high-art<br>-"DWTS" Horror Night performances: https://www.youtube.com/playlist?list=PLK1f1bOs9XycLtoDINuVdjE_NHb4Wjvca</p>