Aliza Nisenbaum, the Getty's new Bassano

<p>Episode No. 522 features artist <strong>Aliza Nisenbaum</strong> and curator <strong>Davide Gasparotto.</strong></p> <p><a href="https://alizanisenbaum.com/">Aliza Nisenbaum's</a> work is on view at the Cleveland Museum of Art in <a href= "https://www.clevelandart.org/exhibitions/picturing-motherhood-now"> "Picturing Motherhood Now,"</a> a look at how contemporary artists represent motherhood. Curated by Emily Liebert, it is on view through March 13, 2022.</p> <p>The Kemper Museum of Contemporary Art in Kansas City is showing <a href= "https://www.kemperart.org/exhibitions/aliza-nisenbaum-aqu%C3%AD-se-puede-here-you-can"> "Aliza Nisenbaum: Aquí Se Puede (Here You Can),"</a> an exhibition of large-scale portraits of individuals connected to Kansas City salsa music and dance communities. It was curated by Erin Dziedzic and is up through July 31, 2022.</p> <p>Tate Liverpool and the Minneapolis Institute of Arts are among the museums that have presented solo exhibitions of Nisenbaum's work.</p> <p>Gasparotto discusses the J. Paul Getty Museum's acquisition of Jacopo Bassano's 1554 <em>The Miracle of the Quails.</em> The picture goes on view at the Getty today.</p> <p>The nearly eight-foot-wide painting is a rare depiction of the Old Testament detailing of <a href= "https://www.thetorah.com/article/the-double-quail-narratives-and-bekhor-shors-innovative-reading"> the miracle of the quails.</a> Bassano based his visual account from a single line in the Bible's story.</p>