A Princess's Vengeance | Catherine Louisa Pirkis | A Bitesized Audiobook

Dyer's Detective Agency is consulted by Major Druce, who is concerned at the mysterious disappearance of his mother's attractive Swiss secretary, Lucie Cunier. Mr. Dyer assigns his best female detective, Loveday Brooke, to unravel the network of relationships caught up in the case... The story begins at 00:01:18 Narrated/performed by Simon Stanhope, aka Bitesized Audio. If you enjoy this content and would like to help me keep creating, there are a few ways you can support me (and get access to exclusive content): * Occasional/one-off support via Buy Me a Coffee: https://www.buymeacoffee.com/bitesizedaudio * Monthly support on Patreon: https://www.patreon.com/bitesizedaudio * Visit my Bandcamp page to hear more of my performances of classic stories, and you can purchase and download high quality audio files to listen offline: https://bitesizedaudio.bandcamp.com/ * Become a Bitesized Audio Classics member on YouTube, from $1 / £1 / €1 per month: https://www.youtube.com/c/BitesizedAudioClassics/join Timestamps: 00:00:00 Introduction 00:01:18 A Princess's Vengeance 00:51:10 Credits, thanks and further listening Catherine Louisa Pirkis (1839–1910), often credited as C. L. Pirkis, was born Catherine Louisa Lyne to a middle class family in London. She became a prominent author of detective and mystery fiction in the last quarter of the 19th century, publishing 14 novels between 1877 and 1894, after which she gave up writing in order to focus on campaigning for animal rights. She co-founded, with her husband Frederick Edward Pirkis and some like-minded friends, the British National Canine Defence League, which still exists today under the name 'The Dogs Trust'. As a writer she is best remembered for her last published work, 'The Experiences of Loveday Brooke, Lady Detective', a short series of adventures featuring the eponymous sleuth, almost certainly the first female detective in fiction, and the first to be created by a female author. An insight into contemporary attitudes to the revolutionary nature of the chara