#84: Get Out (2017)

<p>Back from summer break with a bang (or a clang of a tea cup) with the monumental film that proved Jordan Peele to be a horror mastermind and made audiences never trust Allison Williams again: 2017’s Get Out.</p> <p><br></p> <p>**CONTENT WARNING: discussions of racism/racial violence</p> <p><br></p> <p>Follow us on Instagram at @thewhorrorspodcast</p> <p>Email us at thewhorrorspodcast@gmail.com</p> <p><br></p> <p>Artwork by Gabrielle Fatula (gabrielle@gabriellefatula.com)</p> <p><br></p> <p>Music: Epic Industrial Music Trailer by SeverMusicProd</p> <p>Standard Music License </p> <p><br></p> <p>Works Referenced:</p> <ul> <li>Briefel, Aviva. &quot;Live Burial: The Deep Intertextuality of Jordan Peele&#39;s Get Out.&quot; Narrative, vol. 29 no. 3, 2021, p. 297-320. Project MUSE, doi:10.1353/nar.2021.0019.</li> <li>Get Out IMDb: https://www.imdb.com/title/tt5052448/trivia/?ref_=tt_trv_trv </li> <li>Get Out Wiki: https://en.wikipedia.org/wiki/Get_Out </li> <li>Lavender, Isiah, III. &quot;Getting all of it: On Jordan Peele&#39;s Get Out: Political Horror.&quot; Science Fiction Film and Television, vol. 15 no. 2, 2022, p. 219-226. Project MUSE muse.jhu.edu/article/859928.</li> <li>“Jordan Peele Reveals His Alternate ‘Get Out’ Ending”: https://www.thewrap.com/jordan-peele-reveals-alternate-get-out-ending/</li> <p><br></p> </ul>