#582 Mary Beth Willard: Why It’s OK to Enjoy the Work of Immoral Artists

<p>------------------Support the channel------------</p> <p>Patreon: <a href="https://www.patreon.com/thedissenter">https://www.patreon.com/thedissenter</a></p> <p>PayPal: paypal.me/thedissenter</p> <p>PayPal Subscription 1 Dollar: <a href="https://tinyurl.com/yb3acuuy">https://tinyurl.com/yb3acuuy</a></p> <p>PayPal Subscription 3 Dollars: <a href="https://tinyurl.com/ybn6bg9l">https://tinyurl.com/ybn6bg9l</a></p> <p>PayPal Subscription 5 Dollars: <a href="https://tinyurl.com/ycmr9gpz">https://tinyurl.com/ycmr9gpz</a></p> <p>PayPal Subscription 10 Dollars: <a href="https://tinyurl.com/y9r3fc9m">https://tinyurl.com/y9r3fc9m</a></p> <p>PayPal Subscription 20 Dollars: <a href="https://tinyurl.com/y95uvkao">https://tinyurl.com/y95uvkao</a></p> <p>------------------Follow me on---------------------</p> <p>Facebook: https://www.facebook.com/thedissenteryt/</p> <p>Twitter: <a href="https://twitter.com/TheDissenterYT">https://twitter.com/TheDissenterYT</a></p> <p><br></p> <p>This show is sponsored by Enlites, Learning &amp; Development done differently. Check the website here: <a href="http://enlites.com/">http://enlites.com/</a></p> <p><br></p> <p>Dr. Mary Beth Willard is an Associate Professor of Philosophy at Weber State University. She received her Ph.D. from Yale University and writes primarily in aesthetics and blogs at aestheticsforbirds.com. She is the author of Why It’s OK to Enjoy the Work of Immoral Artists.</p> <p>In this episode, we focus on Why It’s OK to Enjoy the Work of Immoral Artists. We first discuss how aesthetic questions might relate to ethical ones. We then ask if art can itself be immoral. We discuss the complicated questions of how and when the work of an artist should be condemned. We talk about the #meetoo movement, cancel culture, and the presumption of guilt. We get into how people should feel about being influenced by immoral artists. We discuss if it matters that people differ in their moral tastes. After focusing on artists and consumers, we also mention platforms. Finally, we talk about