
3 Chord Truths - Jack Williams
TheLazyMakoti
Description
<p>We continue with an amazing episode of our series “3 Chord Truths”, where we have been talking to songwriters and musicians, and have been able to sit down with some very interesting personalities, with cool backstories that reveal what it takes to follow the dream of being a success in the music business.</p> <p>Tonight’s guest is Jack Williams. He has an amazing story that spans many years, and shows that tenacity, talent, and some luck can help create some amazing opportunities. Jack’s list of friends and acquaintances, people he has worked for and with reads as a who’s who from different types of music genres. The Who, Ritchie Havens, Lynyrd Skynyrd, Uriah Heap, the Allman Brothers, Kevin Costner, and many many more are part of Jack’s incredible story. He recounts many of the meetings, and fun he had, as well as some of the sacrifice and pain in the choices he had to make. Jack continues to be involved in writing music and works with a variety of artists, as well as putting out a new album of his own, titled “Halfway to Hell”. We found Jack to be very down to earth, and thoroughly enjoyed our conversation with him very much. We know you will find Jacks story as interesting and inspiring as we do. </p> <p>Halfway To Hell BIO: “When I was a kid, I thought I was the only one going through what I went through,” H. Jack Williams says. “Music always helped me connect emotionally. But there’s still a lot of abused kids turned damaged adults in the world today, and I hope this album let’s them know they’re not alone.” For Williams (his friends know him as Jack), it’s a characteristically candid statement from the veteran-songwriter-turned-recording-artist who’s experiencing one of the most surprising second acts in music. And with his debut album Halfway To Hell, Jack Williams now delivers a sonically startling testament to trauma and survival that sounds – and stings – like no other. The 10-songs on Halfway To Hell are all co-written by Williams – with the exception of his haunting take on the standard ‘What