046: Utopia With Comrades: Part II
046: Utopia With Comrades: Part II

046: Utopia With Comrades: Part II

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<p><span style="font-weight: 400;">In the second part of our conversation and collaboration with the</span> <strong><em>Coffee with Comrades</em></strong> <span style= "font-weight: 400;">podcast, we begin seeking out works of literature, cinema, and scholarship that might illuminate Anti-Anti-Utopian blueprints for building new worlds. As Matt remarks, it’s virtually impossible to come up with a list of films that would be called utopian, but Pearson argues that you could – in fact – come up with a robust list of fiction and non-fiction texts that spell out the shape of this new genre of hope-making. A developmental syllabus of Anti-Anti-Utopian study may start with Ursula K. Le Guin’s iconic and epic “ambiguous utopia,”</span> <strong><em>The Dispossessed</em></strong> <span style= "font-weight: 400;">(1974), and include Kim Stanley Robinson’s</span> <strong><em>Mars Trilogy</em></strong> <span style="font-weight: 400;">of novels (1992-96), as well as  nonfiction books like Erik Olin Wright’s</span> <strong><em>Envisioning Real Utopias</em></strong> <span style= "font-weight: 400;">(2010), Alex Williams & Nick Srnicek’s</span> <strong><em>Inventing the Future: Postcapitalism and a World Without Work</em></strong> <span style= "font-weight: 400;">(2015), and</span> <strong><em>A Planet to Win: Why We Need a Green New Deal</em></strong> <span style= "font-weight: 400;">by Kate Aronoff, Alyssa Battistoni, Daniel Aldana Cohen, and Thea Riofrancos</span> <span style= "font-weight: 400;">(2019). These visions of still imperfect, but radically more just & egalitarian worlds teach us that striving toward the utopian horizon is neither naive nor impractical, but instead all too necessary and prudent, especially now. As such, The Golden Square affirms that the decommodification of life and democratization of society are not just revolutionary goals, but in fact, the revolutionary project itself. Beyond the ceaseless academic obsessions with diagramming the corpse of our dystopian hellscape, we must chart a path outside o

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