THE TIME-CUTTER

<p><img src= "https://assets.libsyn.com/secure/show/32235/time-cutter-final_2015S3.jpg" alt="" width="400" height="544" /></p> <p><strong>PULP-POURRI THEATRE S3 E4: The Time-Cutter (SCI-FI)</strong></p> <p>“The Time-Cutter” is an original story by our producer-director, Pete Lutz. Originally written and produced as a live “radio” drama on the stage at Harbor Playhouse in 2001, Pete revised the script for Pulp-Pourri Theatre in 2014. This production is sponsored by Ō-Sha-Lene Motor Fuel and stars the <strong>Narada Radio Company</strong>. It's a companion piece to the previously issued "D.N.A. Pit" episode.<br /> <br /> John Dark lives in the year 2050 but believes he somehow got unstuck in time and originally comes from another era, one in the past. He makes a living in Celestial City as a time-traveling private detective, calling himself “The Time-Cutter”.  This episode of Pulp-Pourri Theatre outlines John Dark’s latest case, which could, on a very personal level, be called his strangest. Listen and enjoy!</p> <p><strong><u>CAST OF CHARACTERS</u> (In order of appearance):</strong> </p> <p>JOHN DARK: Todd Jones</p> <p>VIVIAN CHEN: Griffin Greene</p> <p>BRENDA ROMERO: Katie Loftin</p> <p>TAXI DRIVER: Mark Hacala</p> <p>SHOOTER: Julio Herrera</p> <p>REPORTER: Aaron Kenigsberg</p> <p>KIM MICHAEL: McKenna DeYoung</p> <p>NURSE NANCY: Ophelia McBride</p> <p>ANNOUNCER: Lisa Ayala</p> <p>ADDITIONAL VOICES: Emily Carpenter, Christin Sanchez </p> <p><u>Ō-SHA-LENE Commercial Voices:</u> </p> <p>Derek Lutz/John Valadez/Michele Cotter/Pete Lutz/Cheyenne Gibbs/Jason D. Johnson/Debby Leal/Lisa Ayala</p> <p>OPENING ANNOUNCERS: Gene Lutz, Rich Wentworth</p> <p>PULP-POURRI THEATRE THEME composed and performed by Rich Wentworth </p> <p><u><strong>MUSIC BY THE FOLLOWING</strong></u> (Through a Creative Commons License):</p> <p>The Good Lawdz, “One For Brownie”</p> <p>U.S. Army Blues Band, “Dance Of The Stargazer”</p> <p>The Good Lawdz, “Preachin’ The Blues”</p> <p>U.S. Army Blues Band, “Bayou Farewell”</p> <p>Dazie Mae, “I Have To S