Reason-Why Copywriting

<img src="https://copywriterspodcast.com/images/banner/copywriterspodcast184.jpg" /> <br />Today we’re back with our Old Masters series, with a topic that has been begging to be on Copywriters Podcast for a long time: Reason-Why Copywriting. First, a little about our Old Master, and he really deserves the title, even though he is not particularly well known these days. It’s George Burton Hotchkiss. We’ll be drawing from a couple chapters in his book Advertising Copy, published in 1924. Almost 100 years ago. Hotchkiss worked as a reporter for the old New York Sun newspaper, and after that, became a copywriter for the ad agency which later became the famous firm known today as BBDO. Later he went on to found the Department of Advertising and Marketing at New York University, where he was chairman and where he worked for 48 years. What he says about reason-why advertising in his book is really not that different than what’s true and what works today. We’ll dive into it and pull out a few of the most important pieces. Now, reason-why copywriting. It’s alive and well today, but people don’t talk about it a whole lot. We’re going to spend a few minutes talking about reason-why copy, and then I’ll give you some examples of parts of a promo written first as reason-why copy, and next as emotional copy. But first, let’s get clear on our terms. What is it? In short, reason-why copy appeals to the prospect’s reason, while what we’ll call “emotional copy” appeals mainly to emotions. Now to be sure, you can mix elements of the two kinds of copy in the same email, or ad, or web page. But for this show, we’ll treat them as separate and opposite. Just to make it clear what reason-why copy is. Hotchkiss says, “If all buyers were logical and all purchases were based upon a deliberate choice, there would be little place in advertising for anything except reason-why copy. “Human beings, however, are not wholly logical. And they all make purchases that are not even sensible.” (For example, the Fender Jazzmaster guitar I bought. I