Synthetic Voice Storytelling

My first, experimental #audiobook versions and #Narrative #fiction turned #mp3. Intended, as a growing collection of those files, which I cannot offer for sale due to copyright & trademark.Greetings, and welcome. “Instead of just giving-up.” That is the key-sentence, when it comes to why I, after return from homelessness in Germany, restarted my #ebook writing and #audiofiction #storytelling.My skill level is limited, but I am no longer doing really bad. I follow the author 101, I run proofreading software, I place the explicit language warning, when needed, and I am by now an award-winning author & an award-winning reviewer. Not that special, and I need to grow readership and customer numbers, I know.Or, I just do it for fun, and don’t expect to ever turn it into my job. My fascination for synthetic voices began, when I tried to avoid a clear rip-off by voice actors, who asked sums of $ 50.00,- to $ 250,- (each participant PER HOUR OF WORK), without any guarantees, or qualifications, offered in return.I know that #audiofiction is not as entertaining, as full-cast #audiodrama. But I also know, what I can do on my own, and what (sadly) not. I myself was a fan of Radio Campfire Theater, the 19th Nocturne Boulevard by Julie Hoverson, and the Frozen Frights team around Jeff Adams. I also enjoyed the #British (heralds UK English) Mark Gatiss with his “The Devil in Amber”, as it was the outstanding part of the trilogy, when it comes to how much effort and care he did put into narrating it himself.Being still comparably unknown, I hope to learn from how my works are received, freebies or sales files, and on scoring some #reviews, which focus informing customers what they get. I will be more happy about 200 2-star reviews, which are factual and true than about 500 faked, or paid for, 5-star reviews, which I, in my own words, would simply call fraudulent.I am a street-survivor, one more idiot, who thought he could recover from university dropout, and